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He was curious after other professions and unusual collaborations and used this for music videos and album covers. This rapid depopulation has resulted in limited job opportunities and the work that is done on the island is often seasonal and unpredictable, which is the reason for many locals to leave the island and work on the mainland.
You graduated from the Design Academy in 2014, what did you do until now? What aspects of biology are fascinating to use for your designs? 3D-woven configurations are experimentally discovered on the spot. For me it’s important to keep on learning and that can happen everywhere.
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I choose to value those materials by creating two collections of unique jewelries inspired by Nasa’s Mars cliches of dunes and comets impacts, the shapes are guided by the images. When I find something that takes my interest, I try to find if there is a scientific discipline related to the subject and to find someone working in that field. Cheap, long lasting, and for everyone, so for me making a gender less brand feels like logic. Nike logo to transform it into a rustic knife, combining two of his passions: craftsmanship and fashion. Insectology Collection” is about upgrading insects as alternative material and food source.
Ephemere is a soap bubble bowl from the split second series, comprising products which, once used, last only for a very short space of time. Design, dedicated to exploring how we will live in the future through trans-disciplinary practice and expert collaboration. I got to experience this city while working on the collaboration with Bonne Suits and I love it. The project answers theses questions: how could we consider food in a new way with the process of todays technology?
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As a designer I desire to discover if technical innovation alone is enough to succeed in practice or if other qualities are needed. Afterwards I made blow-ups of these prints and started to think how I would translate them to into 3-Dimensional garments. I go to lectures, watch documentaries and I read about it. I used trompe l’oeil effects by printing the paper collages on different fabrics and reinforcing them with stiff non woven and paper.
It of course allows you to provide jobs to a neglected atelier but also how to do you see the production developing over the next years and how will you adapt to the potential growth? The perception and experience of the service thereby corresponds to a stereotype. What are your plans for the future? The industrial material brings a new aesthetic to the craft sandal world alongside a long lasting product due to the strength properties of the rope. Quinten Mestdagh from the Royal Academy Of Fine Arts Antwerp has a great talent, his garments are spectacular and complex.
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The irrelevancy creates that jewellery can expose the personal and the intimate. It’s gonna be the same price but a bit more dressed up. Seeing, hearing and touching materials evokes thoughts and feelings. Blencowe chose to focus on for his Fuzzy Logic project.
For this project I worked together with psychologists to create a set of cards that can be used as a conversation tool to talk about norms and desires around having children. To me clothing should be simple. Then, after few days of drying the block is cut into thin sections up to 30 micro millimeters. This experimental perfume project about the meeting of fragrance and material, a design take on the luxury of cosmetics and natural materials role in our objects. Do you imagine more personal works around insects in the future ? I am very thankful to Erica and Faye for letting me in their studio despite my funny background.
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How do you choose the materials and silhouettes for your designs? Meet Roos Meerman, a 23-year-old designer from the Netherlands who studied product design at Artez academy for the Arts. Rodrigo Ambrosio also realize projects by its own.
In the end, Wood and the use of felt, I believe created a collection that in shape and cut is minimal but leaves a strong impression since the framing emphasises both the body and the jewellery. Already there I realized that Bonne was interested in much more than fashion. I researched and read all his interviews. After spending most of her life in her hometown Stockholm, she decided to take on the challenge of learning a new language and, therefore, she moved to Switzerland in 2012 to learn French. Blowing a bubble creates something both beautiful and delicate that you know will only last for a few brief moments. Spark of Life’ is already alive for about a year.
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This school teaches students the traditional French craft heritage. Next to this, I feel that inspiration cannot be always found at the museum or into books but everywhere in life. The work reminds of very sculptural garments and it looks like there is a link between jewellery and fashion design, can you explain this?
Set up in half a circle, they create an installation where people can seat and gather around shared energy in the public space. Similarly to the Dutchman, Jagoda Fryca saw the mass product as a resource and resolved to play with ready-made elements, which give infinite possibilities. Furthermore, I like to observe human behaviour, question norms and see paradoxes. Therefore, they can not only carry themselves, but also the human body. Design Academy Eindhoven and works within the fields of exhibition making and curation.
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Users put dogs, foxes and rabbits on their faces but they never think about the fact that these animals are killed for fur. The cables are imperceptible while walking on the top. It always starts with a lot of visual references who I then place next to each other to create a dialogue or a contradiction between them. Teresa van Dongen recently graduated the Design Academy – Netherland is exploring the boundaries and connection of design and biology. But I think I prefer to preserve the artisanal handicraft rather than forcing it into technology. Do you reckon that sharing your know-how is an important element of the economy of exchange?
She questions and discusses the concept of beauty and today’s media beauty standards through jewellery. For Freya: ” the industry continues in making cold, featureless objects, where we are unable to find a signature of the maker. I doubt if we can defeat overproduction in this way. Interaction Design at ECAL in Lausanne, Switzerland. I started looking into all the possibilities for shaping wood around the body. Agnieszka Polkowska is also a doctoral student of Academy of Fine Arts in Gdańsk in the domain of experimental design and trends.
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It is impossible to avoid comparison with the famous Dashilar Flagship Store project by the Dutch designer Sander Wassink. Frenchman originally from the City of Lights – Paris after all is also a place with an acquired taste for art. In my work I use humour and make unexpected connections, to show different sides or positivity in something that is known for the opposite. The soap bubble has existed for over 5,000 years. This strong and colorful collection was inspired by ripped up publicity panels and a love for fashion photography and strong graphic identity.
The cylinders heights incite to play with the flowers, giving individuality to the elements of this object and making the flowers and the water look like they are floating, generating a micro landscape feeling. At this moment I am still producing my textiles by hand, so mass-production in the very near future might be a little too ambitious. The technique of steam bending, gave me the right method to manually manipulate solid sheets of European walnut. The sweets are quite complicated to make, so I don’t do that on a daily even not a weekly bases.
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Later, the time came for trials, experiments and extensive testing the product on myself – checking if the shoe holds together, if it is possible to survive a day in it. What makes you being fascinated with light? I am a curious person and I am willing to design any kind of objects, furnitures, spaces and fashion items. You have been doing recently 2 works with insects. Before coming to Eindhoven, I studied metal craftsmanship at Ecole Boulle. The intense interweaving of his personality and his work meant that Tjalling could never take a distance from his struggle with topics and materials.
Fuzzy Logic by Adam Blencowe is an innovative project introducing a method of creating textiles using felting and new digital technology. I don’t think that the light of ‘Ambio’ or ‘Spark of Life’ will replace any regular lighting yet, but it surely is a great natural addition to the existing artificial lighting. With the control gained through the digitise process, Blencowe is now able to customise fabrics within short production runs. 28kg of leather offcuts has been reintegrated and 12kg with the side table. It’s always about finding a contrast between them to get that graphic feeling. On one hand, my dream would be to remain independent and collaborate with other design studios like Toogood, for instance, and manufacturers to be commissioned on projects.
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Iahai International x Bonne Life two experts in their own field, coming together to develop a future recipe. We will sure keep an eye on such a promising young designer! Her sculptural jewellery follows the complex shape of the human body and uses wood in an unconventional way to explore an uncommon material and shape.
In her project Marlies wants to unlearn the learned to open up new perspectives in perceiving materiality and shape. She challenges and questions the existing norms of our modern world in which every object needs to have certain usability. The colours I used are a consequence of available materials. Is your design process always the same ? They had and elegance but also a kind of static and strong feeling that worked really well together with the impact of the prints. My designs start in ideas or in concepts, not in end products.