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My goal is to change this assumption and to discover new material characteristics through the 3D printer. Trough the rubber pattern on the top the user can pull out the cable at the desired point. We celebrated the opening together and decided in Zurich to do a collaboration.
At this point I want to continue working on developing my existing projects, hopefully together with others. I think this should happen all the time and much more. At 5 years old his uncle taught him how to combine his vivid imagination with whatever he could find and that planted a creative seed. They combine the traditional clothing, crafts and the Northeastern way of life, mixing public and private symbols.
For Freya: ” the industry continues in making cold, featureless objects, where we are unable to find a signature of the maker. Her concepts and designs often contain contradictory elements and a new playful approach, that she uses to push boundaries, resulting in a little idiosyncrasy or raw edge in every one of them. Can you tell me a little about the design process, how do you start your design and what’s your goal?
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Often professors are quite willing to call or meet me in person, and at this point I already have some sketches of what I imagine could be a done with the technique I have in mind. Ambio’, the students did sometimes even text me in the middle of the night after drinking in the pub, telling me that they would go to the laboratory to check if the bacteria were still emitting light. I hope through various forms of collaboration, we could work together to learn and explore the unlimited. Beyond the Mainland’ she is utilizing locally waste materials, such as mussel shells and sheep’s wool, to revive the economy of Bere Island. Flaka, you from the exploration of materials and handmade traditional crocheting, working with Ateliers in your home country where you employ Kosovar Women to preserve traditional knitting techniques and Bonne, you from the volume perspective of reimagining the workers suit and genderless shapes.
How did you develop the production technique? Ephemere is a soap bubble bowl from the split second series, comprising products which, once used, last only for a very short space of time. For example, I was able to find only pink, black and white warm-setting adhesive. In my casted solid perfume designs the sponge material properties enables the design and interaction.
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Kenny Dunkan is a Guadeloupean Paris based artist that belongs to a category of transversal cultural dreamers. The mediums I choose to communicate my designs can range from film, to textiles, to interior products, to garments, to trend forecasts and more, but also combinations of these. She studied two years of fine arts in Oslo before moving to Stockholm where she pursued her bachelor in product design at Beckmans College of Design 2008-2011.
His geometric samples demonstrate the technique’s ability to bring unprecedented precision to woven textiles. Bonnie has a background in Menswear Print Design and in her graduation project she explores the possibilities of saffron as a raw material in which she uses traditional crafts while seeking for new design opportunities. What is your definition of that term? The perception and experience of the service thereby corresponds to a stereotype. There, I learned to have a good vision in 3D, precise technical skills and an eye for quality. This strong and colorful collection was inspired by ripped up publicity panels and a love for fashion photography and strong graphic identity.
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Eventually I hope to make my own autonomous work next to commissioned projects and collaborations. The women pick up the work and mostly work at home. But I think I prefer to preserve the artisanal handicraft rather than forcing it into technology.
Throughout her research she discovered a new material made of mussel shells. Bonne,You focus more on the question of a 9am to 9pm uniform, providing a solution to the fast pace lifestyle we live today, for every individual. I want to imagine new colors, shapes and textures. This experimental perfume project about the meeting of fragrance and material, a design take on the luxury of cosmetics and natural materials role in our objects. I create better things through discussions with other people and highly believe in unusual collaborations between the creative industry and other industries.
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The soap bubble has existed for over 5,000 years. She works across various disciplines to create a single body of work in which she emphasizes that the assets of nature and being human are of intrinsic value, especially because we are heading towards a technological future. The usual solution is to wrap them with metallic profiles or cable sleeves. What if we could augment our food? I’ve always been attracted to highly stylized and iconic fashion images in magazines and advertisements and they were the main inspiration for starting the collection.
What fascinates you about designing materials? Textile crafts enable a person to create something by hand relatively fast with relatively little means. The irrelevancy creates that jewellery can expose the personal and the intimate.
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How do you choose the materials and silhouettes for your designs? The objective is to reintegrate the offcuts from the leather industry into their own companies by creating different objects that can be used for displaying their leather goods. Combined with his childhood explorations in the Mardi Gras parades of Guadeloupe, his sculptures are filled with movement and eclectic colours.
On one hand, my dream would be to remain independent and collaborate with other design studios like Toogood, for instance, and manufacturers to be commissioned on projects. Will you consider focusing on building a sub world of art where textile art could grow? I was experimenting with rope and latex. As the only European mill that dyes and weaves mohair velvets under one roof, Schellens’ velvets are unique and remarkable — the natural silky sheen of this regal fibre makes them a favoured choice for upholstery in luxury homes, private aircraft, touring buses, passenger vehicles, yachts and cruise ships. Please follow those links to read them on our scoop.
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It creates awareness regarding the fact that we should be open to determine new paths, to define the old into the new. In your work you give new life to ready-made elements. Textures Cosmiques” is based on Nasa’s pictures of Mars and other planets of our solar system. However, the effect seems to be more commercial.
Quinten Mestdagh from the Royal Academy Of Fine Arts Antwerp has a great talent, his garments are spectacular and complex. Through my design, I would like society to be exposed to an alternative form of beauty enhancement and rethink about what plastic surgery and what beauty is about. Will you continue with collaborations and will you see it being part of the 21st century fashion industry? Whose work do you admire and why?
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I like to see beauty in the insignificant things as much as in the spectacular ones. Can you tell a bit about your collection? What made you want to be a designer too? Considering food and environmental problems, she highlights this fact as a designer on different levels. Author of first Polish blog dedicated to emerging trends in fashion and design.
I choose to value those materials by creating two collections of unique jewelries inspired by Nasa’s Mars cliches of dunes and comets impacts, the shapes are guided by the images. You have been doing recently 2 works with insects. Uncarved” is a series of objects based on the craft of carving wood, a traditional way of shaping. Before coming to Eindhoven, I studied metal craftsmanship at Ecole Boulle.
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Mange Disque: chocolate records allow us not only to hear, but to taste sound. It is used traditionally as a color dye for textiles and made from the saffron flower, Crocus Sativus L. Do you think the textiles of this project could be used for mass-production in the near future? Design Academy Eindhoven and works within the fields of exhibition making and curation. A recent graduate from the École Nationale des Arts Décoratifs in Paris, he breathes art and aestheticism, and this shows in both his physical appearance, environment, language and work. It’s so interesting and exiting to see how collaborations evolve.
The vases are made of borosilicate glass, which allows a pure and geometric appearance, with clean and solid connections. This year’s stand is inspired by the travelling tribes: Nomadism animates a timeworn style that is faded by age, crafted by hand and coloured by beautiful dyes. The only problems I have for example are finding local organic yarns or having it shipped to Kosovo.
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I can feel very guilty and responsible towards things. Her sculptural jewellery follows the complex shape of the human body and uses wood in an unconventional way to explore an uncommon material and shape. I found out that the latex could get stuck into the cotton fibers and therefore glue them together. Also, people were refreshed in being challenged instead of being told what to do. Dutch designer Cox Janssens graduated last year from Design Academy Eindhoven. Sebastien was raised in Limoges in the west of central France, a city well known for its 19th century porcelain and oak barrels that make Cognac.
If a trade name should redirect to a generic name of a drug page that hasn’t been created yet, include the redirect mention in the list but don’t create a page that redirects to a non-existant page. Do you reckon that sharing your know-how is an important element of the economy of exchange? I used trompe l’oeil effects by printing the paper collages on different fabrics and reinforcing them with stiff non woven and paper. Besides making prototypes, which I love doing the most, it’s important to take the experimental crossover of disciplines to a next level and make it available to anyone’s interest. Next to this, I feel that inspiration cannot be always found at the museum or into books but everywhere in life.