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When I was seven I already began reading Charles Darwin and learning the scientific names of animals. I created a new piece that consists of 8 stools made in bricks and concrete.

Iahai International x Bonne Life two experts in their own field, coming together to develop a future recipe. The intense interweaving of his personality and his work meant that Tjalling could never take a distance from his struggle with topics and materials. Birgit Toke Tauka Frietman is a hybrid designer working in the Netherlands and London.

Bonne,You focus more on the question of a 9am to 9pm uniform, providing a solution to the fast pace lifestyle we live today, for every individual. What fascinates you so much about photography? He explores traditional techniques along with groundbreaking technology, interpreting the dichotomy between the two worlds in a contemporary way.

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I can describe the production technique as spontaneous. How would you describe yourself as an artist? Can you take ginkgo biloba with lorazepam . Déguster l’augmenté” includes three desserts, expanded with data in a poetic way each with a unique feature: animation, perception and sound.

At 5 years old his uncle taught him how to combine his vivid imagination with whatever he could find and that planted a creative seed. Teresa van Dongen recently graduated the Design Academy – Netherland is exploring the boundaries and connection of design and biology. I want to show people different sides and angles of the subjects that my projects are about, without serving the answer on a silver platter. Therefore I am now seeking for the right party to help me further in the development of the technique and fine-tuning the material.

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What fascinates you about the jewellery design? Considering food and environmental problems, she highlights this fact as a designer on different levels. Insectology Collection” is about upgrading insects as alternative material and food source. I am currently still living in Eindhoven and I might move to another city in the future. My dream is for jewellery to be a means of communication, i.

I am working hands-on most of the time, materializing the ideas I have in my mind. The series is made as a reaction on our structured life. Having a subject in mind, I start experimenting and sketching 3-dimensionally with materials, shapes and colours, creating an imaginary world or story, with its own atmosphere. What if we could augment our food? Do you reckon that sharing your know-how is an important element of the economy of exchange?

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In one interview he mentioned Rick Owens and Issey Miyake to be his favorite designers, both brands I have worked for. The bacteria are inside a seawater liquid, when they are oxygenated by movement they emit a dim blue light. Instead of diminishing clothes, she turns their change into something positive.

Before coming to Eindhoven, I studied metal craftsmanship at Ecole Boulle. Rodrigo Ambrosio is a young designer living in the northeast of Brasil, Alagoas. Inner timing marks on timing chain on 4. Unlike clothing, there is no need for a person to wear it. This method creates endless possibilities in color, shape, material and application, giving direction within the interior, without diminishing the sense of space. For Penadés, Leather is a beautiful material but very inefficient in terms of its manufacturing process due to its natural origins No matter which tanning process a hide went through, the quality of a piece of leather depends directly on the part of the animal that came from.

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Builders Ontwerpstudio – where she gives a new view and re-intrepretation of material : “My fascination is in the thin border of being an object or being almost a material itself. In general, the messages that I want to bring in to the world are a little bit under the surface of my designs. Silhouettes, on the other hand, come more from my drawing development transferring to the body. I first was interested by the textures of those planets, caused by impacts and traces of geological and meteorological effects, and the goal was to try to visually reproduce those textures and create a material to work with. I want to enlarge my field of work and horizon. The vases are made of borosilicate glass, which allows a pure and geometric appearance, with clean and solid connections.

I came across the work of Christo and Jeanne-Claude in which their wrappings of nature and architecture revealed strong and clean shapes by removing the detailed and the intricate. To me, jewellery can be defined as unnecessary. With my project Area Fabrica I research other qualities of 3D printing, my drive is the fascination I have for this technique. I hope through various forms of collaboration, we could work together to learn and explore the unlimited.

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Flaka: It started out when I discovered Bonne’s suit and orderded one. New furniture pieces will be developed with monochromes and also mixtures of different colors, further developing the aesthetic side of the material. Do you think your work could be used for mass-production in the near future? The objective is to reintegrate the offcuts from the leather industry into their own companies by creating different objects that can be used for displaying their leather goods. Besides this, I am seeking unexpected outcomes from common materials.

Author of first Polish blog dedicated to emerging trends in fashion and design. Lehmann ‘s creation are particular : simple but not simplistic, refined and never weak, utilitarian with poetry. I am mostly fascinated with alternative and natural forms of energy. I really like to mix very bright and hard colors with other colors that are more soft or calm. When I was a researcher at Toogood, I was assisting the fashion designers by developing new fabrics and textures for the 005 collection.

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The project answers theses questions: how could we consider food in a new way with the process of todays technology? Blencowe’s approach to design is centered around combining existing materials and systems in ways that produce unexpected results. As an artist I treasure diversity and my broad interest and need to be socially involved are bringing me that. I was producing lots of samples that were matching the mood board created by Faye. The pieces are identifiable according to essential characteristics that inform the user of the way in which they are to be used.

Can you briefly describe this process? Textiles become more interesting through processes such as washing, surface friction and color change by sunlight. The technique is still in development and currently quite inert, expensive and difficult to upscale.

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My work is concept driven with topical approaches. I think it is possible to produce some of my works in large numbers. What was your main inspiration for this project? Kenny Dunkan is a Guadeloupean Paris based artist that belongs to a category of transversal cultural dreamers.

For the shapes of the clothing I looked to the clean and architectural volumes of midcentury couture gowns. A part of the soil is selected and extracted, then in a laboratory, a resin is poured on it to fix the soil block. It created a new and abstract kind of silhouette and it was the main inspiration for the shapes and the graphic identity of the collection.

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At the moment, insects are not at my daily menu. Her concepts and designs often contain contradictory elements and a new playful approach, that she uses to push boundaries, resulting in a little idiosyncrasy or raw edge in every one of them. What made you want to be a designer too? Dessert à l’Air: animated desserts are created using edible robots, the sweets of the future. The projects that I do originate from the mental and physical processes that are involved in crafts.

In her project Marlies wants to unlearn the learned to open up new perspectives in perceiving materiality and shape. They reflect our modern obsession for messages and personality. Meet Roos Meerman, a 23-year-old designer from the Netherlands who studied product design at Artez academy for the Arts.

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From this first sample, I developed a production system and a finally a collection and brand. Violette and Aron remove digital representations of animals, like the Snapchat lenses, to show the young generation that real animals are in urgent need of their help. For Ambio that was quite time consuming, it needed daily care. I’d love to sit together with a machine engineer and nerd around trying to figure out a way. So mostly, traces make things less attractive.

Ambio’, the students did sometimes even text me in the middle of the night after drinking in the pub, telling me that they would go to the laboratory to check if the bacteria were still emitting light. I don’t really know about the fashion inspiration at art fairs. Not Your Average Beauty collection is a project that I want to create conversation and discussion on the topic of beauty and plastic surgery.